This item can be returned in its original condition for a full refund or replacement within 30 days of receipt. [12] Crumb left his wife in 1967 and moved to San Francisco, where he took part in the counterculture and indulged in drugs such as LSD. The Life & Death of Fritz the Cat: Crumb, Robert: 9781560971177: Amazon To join, select"Try Amazon Prime and start saving today with Fast, FREE Delivery"below the Add to Cart button. [18] Fritz is portrayed as a self-conscious hypocrite, obsessed with his racism and associated guilt, while crows are portrayed as "hip innocents". Antologa de las andanzas y desamores del Gato Fritz, el hijo prodigo de Ralph Bashki. [19] Impressed by Bakshi's tenacity, Crumb lent him one of his sketchbooks as a reference. Crumb ended the strip in 1972 due to disagreements with the filmmakers. "The people in charge of the power structure, the people in charge of magazines and the people going to work in the morning who loved Disney and Norman Rockwell, thought I was a pornographer, and they made things very difficult for me. [7] Crumb was later influenced by Walt Kelly's daily anthropomorphic animal comic strip Pogo;[8] Crumb did not copy Kelly's comics directly, but states that he imitated his drawing style closely; Crumb admired Kelly's storytelling style, which "seemed [to be] plotless and casually done. [55], In Michael Barrier's 1972 article on its production, Bakshi gives accounts of two screenings of the film. A product of his era, Crumb was a very controversial cartoonist. Issue Notes. from R. Crumb's Fritz the Cat (Ballantine Books, 1969 series) (October 1969); in Fritz the Cat (Zweitausendeins, 1974 series) (1974); in Fritz the Cat (Heyne, 1984 series) ([Februar] 1984) [schwarzweiss]. To add the following enhancements to your purchase, choose a different seller. Animation historian Michael Barrier describes this section of the film as being "much grimmer than Crumb's stories past that point, and far more violent. The timing falls off. "[49] Released on 12 April 1972, it opened simultaneously in Hollywood and Washington, D.C.[14] The film became a worldwide hit, grossing over $100 million (USD) and was the most successful independent animated feature ever. Reviewed in the United States on April 2, 2014, Reviewed in the United States on August 26, 2021, Reviewed in the United States on December 17, 2020. After narrowly avoiding getting into a fight with the bartender, Duke invites Fritz to "bug out", and they steal a car, which Fritz drives off a bridge, leading Duke to save his life by grabbing onto a railing. Karl F. Cohen writes that the film "is a product of the radical politics of the period. Reviewed in the United States on March 23, 2018, Reviewed in the United States on November 8, 2017, Reviewed in the United States on January 30, 2013. Having in mind the great full color film that I saw over and over when it first came out, I was shocked with this book. Something went wrong. I didn't like that sex attitude in it very much. Up to this point, Crumb had been unrepresented in my comic book collection (except his art in American Splendor! Bakshi refused, and Warner pulled their funding from the film, leading Krantz to seek funds elsewhere. It was with a great sigh of relief I saw it back in print. Robert Crumb R. Crumb's Fritz the Cat Cover Original Art | Lot #91033 The printing is very clear and the paper white, like the old book. Don Markstein's Toonopedia: Fritz the Cat He was clearly still learning the trade, and all of this book was produced before he'd moved to San Francisco and begun his most legendary strips. Fritz the Cat is a comic strip created by Robert Crumb. Shipping cost, delivery date, and order total (including tax) shown at checkout. [23], Bakshi was initially reluctant to direct Fritz the Cat because he had spent years working on animated productions featuring animal characters and wanted to make films focusing on human characters. The first edition was by Viking; it's listed separately. [32] "Fritz the Cat 'Superstar'" featuring the death of the character was the last new story released; it was published in The People's Comics (Golden Gate) in 1972. He felt that, "They also tend to ramble, as if Crumb were making them up as he went along.
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